​作画

濃淡のみで多彩な表現の出来る古典的な画材・墨に樹脂絵具、顔料インク、箔などを加えて、新しい光の表現を模索。

樹脂絵具の混合下地を塗装用のゴムヘラで数回塗り重ね、壁あるいはスクリーンを立ち上げる。

刷毛で引いた墨が乾く前に、櫛で掃く。

滲み、流れからできた偶然の造形には、移ろいゆく風景のように一期一会の面白さ、発見がある。

墨とアクリル、混じり合わない画材を流し込み、繰り返し塗り重ねることで印象の複雑さを二次元の上に表現する。

Ink painting

I explore new ways to express light by incorporating resin-based paints and metal leaf into *sumi* (traditional ink)—a classic medium capable of a wide range of expression through varying shades alone.
I build up the surface—creating a wall-like or screen-like effect—by applying multiple layers of a resin-paint mixture using a rubber spatula. Before the brush-applied ink dries, I rake through it with a comb.
The accidental forms created by the ink’s bleeding and flowing offer unique, once-in-a-lifetime discoveries, much like a shifting landscape.
By pouring and repeatedly layering *sumi* and acrylic—materials that do not naturally blend—I give form to complex impressions within a two-dimensional space.